Wrapped in blues

Fausto. Pandur Theaters, 2014. Hi everyone, One of the classes that I liked the most this semester is Scenic Design Workshop III, since it is in this class where all the knowledge that is seen in the other classes is put into practice.  This semester we have seen everything related to post-dramatic theater, how it begins to relate what happens on stage with the public, how design areas begin to evolve, showing things on stage that cannot be seen in other types of theater, as for example, the lighting elements, as they appear on the scene. It also begins to see different activities on stage at the same time, generating different images on stage.  Although at the beginning of this semester it was very difficult for me to understand this type of theater, I can say that with the second project I managed to understand it, that is why I like this class, because we are always presented with new challenges and it is very entertaining for me to design costumes and scenery.  Thank ...

Je nny Beavan on the set of Cruella This is my favorite dress Hello everybody, Today I am going to talk about a designer that I met a few days ago, and that due to her work in the wardrobe I began to admire a lot. I am talking about Jenny Beavan. She was born in England in 1950. During the 1970s she worked in theater productions and then began her career as a costume designer in the cinematographic area. Some of the films in which she has designed are Mad Max: Fury Road, A United Kingdom, A Cure for Wellness, Christopher Robin, Dolittle, Cruella, in the latter it was where I met her. I really like her work in the live action of Cruella, since all the great dresses that Emma Stone uses are a set of historical references and the time in which the film is set, especially the one seen in the gif, a dress with a long train inspired by the dresses of Marie Antoinette. In general, she is a designer who deserves all my admiration and who has become a benchmark for me. Thanks for reading, I hop...